A dynamic atmosphere filled McKenna Theatre with the rich sounds of jazz, funk, and gospel music during San Francisco State University’s presentation of “The Sound of (Black) Music” by Electric Root.
This innovative Afrofuturistic adaptation of the 1965 musical “The Sound of Music,” traditionally performed by an all-white cast, aimed to unify and uplift Black communities through the power of music and the essence of Black musical traditions.
The show on Feb. 29 marked one of the final performances of Electric Root’s 18-show tour across the country.
Sana Colter, a digital marketing manager for Electric Root, highlighted the tour as an opportunity for audiences to immerse themselves in a unique encounter with Black music.
“Many people were unfamiliar with Afrofuturism before encountering our show,” Colter shared. “It serves as a first exposure for them to this concept and its visual representation.”
Aaron Benn, in charge of events and community programs at SFSU’s LCA Live, was inspired by Electric Root’s performance at the Association of Performing Arts Professionals conference and made efforts to bring the show to the university.
Jono Gasparro, co-founder of Electric Root and co-producer of “The Sound of (Black) Music,” expressed gratitude for the opportunity to showcase the event in inclusive spaces like SFSU.
Brianna Thomas, a vocalist for the show, drew inspiration from her late father, a musician, and emphasized the universal appeal of live music transcending boundaries of discrimination.
Zhanna Reed, another vocalist in the show, shared her deep musical roots and the joy she finds in interacting with the audience post-performance.
Inyiah Hillman, a Japanese major, reflected on the significance of jazz in Black culture and its potential to influence mainstream music.
Ayssis De Los Reyes, a computer science student, radiated joy as she described the emotional impact and synergy evoked by the diverse musical elements of the show.
